![]() |
|
Spaces home 年年不掃PhotosProfileFriendsMore ![]() | ![]() |
|
年年不掃May 27 日记慈济 is having a fund raising for the earthquake victims. I gave my share. In times of great natural disasters like this, we feel small, vulnerable, powerless, and yet strangely strong wanting hold on to life, of which we are often unappreciative in peaceful times.
May 12 Chicago Youth Symphony Orchestra ConcertSibelius – Finlandia Tchaikovsky – Violin Concerto in D Majoy, op. 35 Ravel – Daphnis et Chloe: Suite No. 2 Block – Schelomo Mussorgsky – Pictures at an Exhibition [arr. Ravel]
Absolutely fantastic! Years later when these kids become doctors and lawyers and CEOs, they would never find another amateur orchestra like this. So, kids, appreciate the opportunity and enjoy the music.
April 28 The Conquest of HappinessBertrand Russell writes in the preface of his book The Conquest of Happiness, “My purpose is to suggest a cure for the ordinary day-to-day unhappiness from which most people in civilized countries suffer, and which is all the more unbearable because, having no obvious external cause, it appears inescapable.” This alleviated my guilt of having no legitimate excuse to be unhappy. When I am unhappy, I accuse myself for being ungrateful to the life that I have. I am not living in war or poverty. I don't have to drive to work. I am my own boss. I arrange my own working hours. In a way I have reached the ultimate goal of a free person. But still, I am unhappy, once in a while. According to Russell, the cause of my unhappiness is the lack of objective interest in my activity. My reaction to this condition is fundamentally human, therefore, I am entitled to be unhappy, once in a while. Take writing, for example, if I do not have readers to write for, I am writing a diary at most. And with reading, if nobody needs my knowledge, the books that I read will rot in my head. Basically, my problem is the communication of the self and the other. I can see why a long-winded professor is happy when he walks into a packed lecture hall. Humans are social animals, no others, no self. March 17 Another Dream CrushedThe weather was glorious last week. I went out for breakfast with Liping on Wednesday. We have been complaining about life and blaming ourselves for not taking advantage of the American-style free-market capitalism built on entrepreneurial spirit. So, on this sunny day we decided to go into flower business. Liping is flower crazy. I am not. There is only one thing in my life that I have been unwaveringly crazy about, and that is WORD. But since Popcorn came into my life, I see how much I have missed and how incomplete I am as a creature of nature. I actually want to work with dirt, like becoming a farm in Maine, or at least have my own garden. I don't want to end up like Steven King with shelves of books written and bushels and bushels of money stored but battling with depression. This flower business will give me the opportunity to be close to nature. It will expand my horizon and enable me to understand life better. I am so limited by my monochrome violinist life style. I want to live more and know more. February 28 The "Symposium" EffectYesterday morning, eight o'clock, I opened the refrigerator. In sight was box and box of half-finished take-outs from Chinese restaurants. My stomach churned. I pushed the boxes left and right hoping to find eggs and bread to make myself a breakfast, but there was none. During the four-day home improvement binge I had neglected other aspects of life. Now I had to do the strange thing of grocery shopping in the morning. February 26 ChangeThey say that only women have irrational urges such as driving a Volkswagen Beetle back and forth to IKEA in numerous trips for furniture shopping. Yes, that's me, driven mad by the weather. This winter has been a prolonged gray and white that makes me irritable to live, so bad that I start finding faults of my house. I have always loved my house, which I deliberately left open with no furniture and decoration. Once a friend of mine said that he could not tell whether a man or a woman lived here. There is no drapery with small, pink Victorian flower or Martha Stewart do-it-yourself laces in my house; everything is in black and white and natural wood, simple enough to fit the dwelling of a Zen monk. My bedroom can be said as a study with a bed. Books stack up on the computer desk, messy and dusty. The bed is covered by the comforter in muted burgundy that you sit on the bed without noticing it. An old florescent office lamp with one tube dead and the other hums sits lopsided on a small wobbly nightstand. The dinning room and living room link together in one big open space with skylights, contemporary style. The dinning table is accompanied by four cheap folding chairs with beige cushions that have become beige-r. The downstairs living room is my studio. There is an upright piano that takes one side of the wall, four bookshelves in line on the opposite side, and a sofa for the parents. The spare bedroom downstairs is used for storage so messy that you can't set your foot in. But all this never bothered me until last Friday.
February 22 response to a comment on the last entryGoya and Picasso all depicted war crimes in their paintings, it didn't hurt them a bit. Botero is not more or less than who he is, painters don't think and produce like writers, they are less serious about life and things.
Yes, both Goya and Picasso depict war crimes in their paintings, but Piccaso is more of a philosopher among the two. With the abstraction or "distortion" of images rather than realistic rendering, Guernica shows the nature of war: destruction, death, and losses, (Picasso's master touch is to include frightening animals in the painting.) In contrast Goya's The Third of May 1808: The Execution of the Defenders in Madrid reads like a report on a single event happened in a specific time, as the title self-evidently implies. It tells everything and leaves the viewers with no room for imagination and reflection. Art is at its most powerful when it expresses the universal and thus functions on the same level of philosophy and religion. That's why portrait, still life and the eyes of Henri Rousseau's animals evoke something deeper in the viewers and provide more room for reflection than many thematic, narrative paintings. Slight abstraction is imperative in art, which sets the objects free from particulars. But abstraction cannot go too far like the Abstract Expressionism. God creates, and man gathers. We click only with what is already in our symbol system.
It is interesting that you said, "painters don't think and produce like writers." Indeed, painters should not think, leave the thinking to the viewers, but never the critic.
Piccaso: Guernica http://upload.wikimedia.org/wikipedia/en/7/74/PicassoGuernica.jpg Goya: The Third of May 1808: The Execution of the Defenders in Madrid http://upload.wikimedia.org/wikipedia/commons/6/6e/Francisco_de_Goya_y_Lucientes_023.jpg
February 15 The Power of Non-EespressivoFriday. I lounged into the bookstore. The art section, B……Fernando Botero, my favorite contemporary painter. Like Piero della Francesca, the expressionless faces in Botero's paintings seem to reveal more than the acted-out expressions of Rubens, Caravaggio, and the German Expressionist. But revelation of what? I cannot pin point exactly. It evokes something indescribable in you like the feeling of listening to non-titled music.
I was happy to see a new monograph of Botero's paintings on the shelf. The title, Abu Ghraib. It was a big disappointment. I have never flipped through an art book as fast as this one. The paintings depict familiar images I have seen in the newspaper, bloody and disturbing. I understand that Botero is using art to condemn the abuse at Abu Ghraib prison, but it is not any more powerful than the pictures on the news and far less than the condemnation uttered with language. Art doesn't work this way. Art is not meant to work this way. Once art is used as means for other ends, it loses its magical power.
Naturally, like everyone else in society, artists have the need to express their political beliefs, and then say something, join a demonstration rally, volunteer to care for the abused, do anything for the cause but don't do it through art. Art is at its weakest for political messages. Anybody who grew up in China would know this. The posters painted on the wall failed to cultivate our love for the Communist Party. They were ignored as if non-exist. A patch of pure color would have caught much attention. Same thing with Botero's paintings. This is how things work. The television news is more effective to convey the horror of Abu Ghraib. The expressionless faces in della Francesca and Botero's paintings reveal something essential and eternal in us. The two matters don't mix.
Piero della Francesca http://en.wikipedia.org/wiki/Image:Piero_della_Francesca_045.jpg
February 14 My Broken-Bow Depression Is OverIt's terrible to wake up feeling miserable. For the past a few happy days, I was eager to get up early so not to miss the daylight for painting. But today I didn't want to get out of the bed. Po has become lazy too. She used to be up around 7:00am and now she stays in bed as long as I do; it is 9:00am today. I wonder how her bladder has increased its holding capacity.
I fed Po and went to the computer to check my e-mails and then breakfast. Still feeling restless and miserable, I tried to write hoping it will get me out of this state. Fortunately now we have the computer to delete unsatisfying passages, otherwise I would have filled the wastebasket with crumpled papers this morning.
I remembered the Chinese saying, “without a long-term goal for the future, you are bond to worry about your immediate situation.” Long-term goal? I quickly examined my life. I don't have a long-term goal for anything, but I have always wanted to live like Mary Cassatt, living in Paris, free of financial worries and domestic duty, just paint and paint and paint. I certainly don't need to live in Paris. Chicago provides as much as any world-class metropolitan city. I am semi-free of domestic duty, no children and no husband to take care of, just to feed myself and Po. My financial worries are not real worries but responsibilities, which I happily meet with pride. So what am I waiting for? I can paint and paint and paint for the rest of my life just like Mary Cassatt. This thought brought me much happiness. My eyes rested on Ning's jade bracelet, so simple, merely a circle, but I wanted to draw it. I grabbed the small 3.5"x 5" sketchbook on my desk and drew it with a ball pen, which I normally hate with passion. And then I drew the black leather book-weight. It is ticking. I am happy! I suddenly thought of Toscanini's famous claim, “there are no bad orchestras, only bad conductors.” With art, there are no boring objects, only boring beholders.
To end on this note, I think my depression is over. The bow was broken on Monday night, so Tuesday, Wednesday, and now it's Thursday morning. The depression lasted for only two days?! It felt like eternity. See, everything passes, the bad, the badder, and the baddest.
February 10 The Pleasure Principle
I just found out that it is a big lie that great artists, writers, philosophers and scientists proclaim that they work for the benifite of humanity. No, that is not the initial motivition. They create because they are hooked on pleasure. When the human mind is in the state of creativity, the alpha wave runs as fast as 30 cycles per second, thus the mind is alert and active and produces endorphins, which are chemistry for pleasure. That's why when the creative juice flows we are happy, and blocks send us into depression. | ||||||||||||||||